These pieces are built directly into stone through hand-cut inlay, where form emerges through the material rather than being placed on top of it.

As a child, I was transfixed by the mermaids at Weeki Wachee Springs. Figures suspended underwater moved with a kind of effortless control. That sense of wonder lingers here, but takes on a quieter weight.

There’s a balance within these forms. The mystical feminine sits alongside a steady strength, existing within a force as powerful and unpredictable as water.

Each piece holds that balance—strength, movement, and a quiet sense of control.